See Antiqua on Wiktionary
{ "etymology_templates": [ { "args": { "1": "en", "2": "la", "3": "antīqua" }, "expansion": "Latin antīqua", "name": "der" } ], "etymology_text": "From Latin antīqua, feminine of antīquus.", "forms": [ { "form": "Antiquas", "tags": [ "plural" ] } ], "head_templates": [ { "args": { "1": "~" }, "expansion": "Antiqua (countable and uncountable, plural Antiquas)", "name": "en-noun" } ], "lang": "English", "lang_code": "en", "pos": "noun", "senses": [ { "categories": [ { "_dis": "56 44", "kind": "other", "name": "Entries with translation boxes", "parents": [], "source": "w+disamb" }, { "_dis": "49 51", "kind": "other", "name": "Terms with Polish translations", "parents": [], "source": "w+disamb" } ], "examples": [ { "ref": "1923, Stanley Morison, Holbrook Jackson, A Brief Survey of Printing: History and Practice, page 36:", "text": "The Tiemann antiqua of 1909 was a real success, however, and has found favour in England. The companion italic, the Tiemann kursiv is an even more handsome letter. Klingspor’s recent antiquas also include a highly successful character designed by Peter Behrens in 1914. The latest creation is an antiqua cut by Rudolph Koch.", "type": "quote" }, { "ref": "1980, Jock Kinneir, Words and Buildings: The Art and Practice of Public Lettering, →ISBN, page 36:", "text": "The early letters of this kind have been classified as Transitional, implying that in their development they lay between the Antiquas and the Moderns; but when one looks at the free individualism of the street names of Bath, 25 and 26, it is obviously inappropriate nomenclature and only English will do.", "type": "quote" }, { "ref": "1994, Karl H. Warkentin, “16. Classifying Typefaces according to DIN”, in Peter Karow, editor, Font Technology: Methods and Tools, →ISBN, “Summary”, page 356:", "text": "Class VI Sanserifs is just as disorganized. Here, pure Antiquas are grouped with sanserif and classical typefaces. Moreover, there are Humanist styles and other partly-constructed sanserif styles that are meant chiefly for display purposes. / Class VII Display Antiquas can easily be regarded as a catch-all class simply from its name.", "type": "quote" } ], "glosses": [ "A style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries." ], "id": "en-Antiqua-en-noun-FxwS2AeO", "links": [ [ "typeface", "typeface" ], [ "handwriting", "handwriting" ], [ "calligraphy", "calligraphy" ] ], "tags": [ "countable", "uncountable" ] }, { "categories": [ { "_dis": "42 58", "kind": "other", "name": "English entries with incorrect language header", "parents": [ "Entries with incorrect language header", "Entry maintenance" ], "source": "w+disamb" }, { "_dis": "37 63", "kind": "other", "name": "Pages with 1 entry", "parents": [], "source": "w+disamb" }, { "_dis": "36 64", "kind": "other", "name": "Pages with entries", "parents": [], "source": "w+disamb" }, { "_dis": "49 51", "kind": "other", "name": "Terms with Polish translations", "parents": [], "source": "w+disamb" }, { "_dis": "40 60", "kind": "topical", "langcode": "en", "name": "Typography", "orig": "en:Typography", "parents": [ "Printing", "Writing", "Industries", "Human behaviour", "Language", "Business", "Human", "Communication", "Economics", "Society", "All topics", "Social sciences", "Fundamental", "Sciences" ], "source": "w+disamb" } ], "glosses": [ "Any typeface with serifs and modulation (often as opposed to Gothic)." ], "id": "en-Antiqua-en-noun-SSoWeTM1", "links": [ [ "serif", "serif" ], [ "modulation", "modulation" ], [ "Gothic", "Gothic" ] ], "tags": [ "countable", "uncountable" ] } ], "translations": [ { "_dis1": "46 54", "code": "pl", "lang": "Polish", "sense": "Translations", "tags": [ "feminine" ], "word": "antykwa" } ], "word": "Antiqua" }
{ "categories": [ "English countable nouns", "English entries with incorrect language header", "English lemmas", "English nouns", "English terms derived from Latin", "English uncountable nouns", "Entries with translation boxes", "Pages with 1 entry", "Pages with entries", "Terms with Polish translations", "Translation table header lacks gloss", "en:Typography" ], "etymology_templates": [ { "args": { "1": "en", "2": "la", "3": "antīqua" }, "expansion": "Latin antīqua", "name": "der" } ], "etymology_text": "From Latin antīqua, feminine of antīquus.", "forms": [ { "form": "Antiquas", "tags": [ "plural" ] } ], "head_templates": [ { "args": { "1": "~" }, "expansion": "Antiqua (countable and uncountable, plural Antiquas)", "name": "en-noun" } ], "lang": "English", "lang_code": "en", "pos": "noun", "senses": [ { "categories": [ "English terms with quotations" ], "examples": [ { "ref": "1923, Stanley Morison, Holbrook Jackson, A Brief Survey of Printing: History and Practice, page 36:", "text": "The Tiemann antiqua of 1909 was a real success, however, and has found favour in England. The companion italic, the Tiemann kursiv is an even more handsome letter. Klingspor’s recent antiquas also include a highly successful character designed by Peter Behrens in 1914. The latest creation is an antiqua cut by Rudolph Koch.", "type": "quote" }, { "ref": "1980, Jock Kinneir, Words and Buildings: The Art and Practice of Public Lettering, →ISBN, page 36:", "text": "The early letters of this kind have been classified as Transitional, implying that in their development they lay between the Antiquas and the Moderns; but when one looks at the free individualism of the street names of Bath, 25 and 26, it is obviously inappropriate nomenclature and only English will do.", "type": "quote" }, { "ref": "1994, Karl H. Warkentin, “16. Classifying Typefaces according to DIN”, in Peter Karow, editor, Font Technology: Methods and Tools, →ISBN, “Summary”, page 356:", "text": "Class VI Sanserifs is just as disorganized. Here, pure Antiquas are grouped with sanserif and classical typefaces. Moreover, there are Humanist styles and other partly-constructed sanserif styles that are meant chiefly for display purposes. / Class VII Display Antiquas can easily be regarded as a catch-all class simply from its name.", "type": "quote" } ], "glosses": [ "A style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries." ], "links": [ [ "typeface", "typeface" ], [ "handwriting", "handwriting" ], [ "calligraphy", "calligraphy" ] ], "tags": [ "countable", "uncountable" ] }, { "glosses": [ "Any typeface with serifs and modulation (often as opposed to Gothic)." ], "links": [ [ "serif", "serif" ], [ "modulation", "modulation" ], [ "Gothic", "Gothic" ] ], "tags": [ "countable", "uncountable" ] } ], "translations": [ { "code": "pl", "lang": "Polish", "sense": "Translations", "tags": [ "feminine" ], "word": "antykwa" } ], "word": "Antiqua" }
Download raw JSONL data for Antiqua meaning in All languages combined (2.9kB)
{ "called_from": "form_descriptions/1698", "msg": "unrecognized head form: typography", "path": [ "Antiqua" ], "section": "English", "subsection": "noun", "title": "Antiqua", "trace": "" }
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